Langston Hughes


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Langston Hughes’s childhood was marked by poverty, the separation of his parents (his father emigrated to Mexico, where Hughes would later visit), a matriarchal, church-going education, and a nomadic series of moves. Eventually the young man arrived in New York City in 1921. There, with some money sent by his father, he enrolled in Columbia University, wrote his first verse, and began to publish in The Crisis, the historic magazine of the N.A.A.C.P., founded by W.E.B. Du Bois.
When funds for college dried up, Hughes moved to Harlem at the height of its golden era. For the remainder of the decade he would associate with all her prominent figures–Du Bois, Countee Cullen, Zora Neale Hurston, Alain Locke, Jessie Redmon Fauset, Jean Toomer, Arna Bontemps, and Carl Van Vechten. He would receive patronage from the formidable but controlling Charlotte Mason, make voyages of self-discovery to Africa and Europe, and return to the United States with a freer, more confident vision of his own identity as an African-American, an artist, a leftist (he would later spend some time in Russia and answer for it during the McCarthy hearings), and a homosexual.
Hughes’s prolific literary career was launched in 1926 with a volume of jazz poems called The Weary Blues, written for performance with musical accompaniment in the famous Harlem clubs of the era. It captured both the Opportunity Prize and the prestigious Spingarn Award, and financed for Hughes the completion of his education, at Lincoln University in Pennsylvania. Among his many poetry collections, The Negro Mother (1931), The Dream Keeper (1932), and Montage of a Dream Deferred (1951) argue passionately for his belief in human equality, his wish for color-blind brotherhood, and his growing disillusionment with the American dream. His novel Tambourines to Glory (1958) appeared as a musical play (1963), and his two volumes of autobiography, The Big Sea and I Wonder as I Wander, together with his essay about his involvement with the N.A.A.C.P. and the civil rights movement, “Fight for Freedom,” chart Hughes’s long commitment to comradeship and equality. As those dreams began to bear fruit in the tumultuous 60’s, Hughes was lionized with increasing frequency. He continued to devote his pen to the ideals of his youth, and took an increasing interest in the movement toward Afrocentric values for black Americans. Hailed as “the Negro Poet Laureate,” Hughes died in his beloved Harlem on May 22, 1967.
–Thomas Hampson and Carla Maria Verdino-Süllwold, PBS I Hear America Singing
Photo: Academy of American Poets
Related Information
Poetry Foundation
poetryfoundation.org/poets/langston-hughesModern American Poetry
modernamericanpoetry.org/poet/langston-hughesSongs
Video
Records



1938
Paul Robeson – The Complete EMI Sessions
Charles Wakefield Cadman, Henry T. Burleigh, Benjamin Carr, Will Marion Cook, Stephen Foster, Langston Hughes, Carrie Jacobs-Bond, Ethelbert Nevin, Oscar Rasbach, Oley Speaks
Books





Before and Beyond Harlem: A Biography of Langston Hughes
Langston Hughes
Sheet Music
An Anthology of African and African Diaspora Songs – 60 Songs
Christmas Lullaby (H. Leslie Adams)
Sence You Went Away (H. Leslie Adams)
The Heart of a Woman (H. Leslie Adams)
The Alarm Clock (David N. Baker)
The Negro Speaks of Rivers (Margaret Bonds)
Caring (Charles Brown)
Desire (Charles Brown)
Your Eyes So Deep (H. T. Burleigh)
Your Lips Are Wine (H. T. Burleigh)
Autumn (Valerie Capers)
Elëanore (Samuel Coleridge-Taylor)
The Willow Song (Samuel Coleridge-Taylor)
Minakesh (Arthur Cunningham)
Stars (Harriette Davison Watkins)
Out in the Fields (William Dawson)
The Refused (Mark Fax)
With Rue My Heart Is Laden (Bruce Forsythe)
Suspiro d’alma (Antônio Carlos Gomes)
If I Can Stop One Heart from Breaking (Adolphus Hailstork)
Longing (Adolphus Hailstork)
Loveliest of Trees (Adolphus Hailstork)
Dormi, Jesu (Jacqueline Hairston)
Gardé Piti Mulet Là (Maud Cuney Hare)
I’ll Not Forget (Jeraldine Herbison)
Little Elegy (Jonathan Holland)
In Time of Silver Rain (Sylvia Hollifield)
The Founding Fathers (Langston Hughes)
This is My Land (Langston Hughes)
L’il Gal (J. Rosamond Johnson)
Soliloquy (Thomas Kerr)
Amazing Grace (Lena McLin)
The Year’s at the Spring (Lena McLin)
I Am in Doubt (Undine Smith Moore)
I Want to Die While You Love Me (Undine Smith Moore)
For a Poet (Andre Myers)
Chere, Mo Lemmé Toi (Camille Nickerson)
Gué, Gué, Solingaie (Camille Nickerson)
Mshila (Fred Onovwerosuoke)
Entreaty (I Am the Rose of Sharon) (Eurydice Osterman)
Could I but Ride Indefinite (Robert Owens)
Die Nacht (Robert Owens)
From the Dark Tower (Robert Owens)
The Lynching (Robert Owens)
The Secret (Robert Owens)
Madrigal (Coleridge-Taylor Perkinson)
O Children of Men (Zenobia Powell Perry)
I Want to Die While You Love Me (Rosephanye Powell)
Spring (Florence Price)
The Sum (Florence Price)
Martin Luther King, Jr. (Dave Ragland)
Mangez, Boulez (Eat, Drink, Be Merry) (Nadine Shanti)
Prayer (Carlos Simon)
Troubled Woman (Hale Smith)
Why Fades a Dream? (Irene Britton Smith)
Dream Variations (Brandon Spencer)
Spring Song (Hilbert Stewart)
One Day (Howard Swanson)
I Went to Heaven (George Walker)
Norris Swamp (Aurelia Young)
Anthology of Art Songs by Black American Composers, Compiled by Willis C. Patterson
Early in the Mornin' (David Baker)
A Good Assassination Should Be Quiet (David Baker)
Status Symbol (David Baker)
Three Dream Portraits: Minstrel Man; Dream Variations; I, Too (Margaret Bonds)
The Barrier (Charles Brown)
Song Without Words (Charles Brown)
Death of an Old Seaman (Cecil Cohen)
Two Songs for Julie Ju (Noel da Costa)
Cassandra's Lullaby (Mark Fax)
Love (Mark Fax)
A Charm at Parting (Adolphus C. Hailstork)
I Loved You (Adolphus C. Hailstork)
Absalom (Eugene Hancock)
Nunc Dimittis (Eugene Hancock)
Riding to Town (Thomas Kerr, Jr.)
Compensation (Charles Lloyd, Jr.)
If There Be Sorrow (Wendell Logan)
Marrow of My Bone (Wendell Logan)
Chanson Triste (Maurice McCall)
Sweet Sorrow (Maurice McCall)
Weary Blues (Dorothy Rudd Moore)
Love Let the Wind Cry...How I Adore Thee (Undine Moore)
Faithful One (Robert Owens)
Genius Child (Robert Owens)
A Child's Grace (Coleridge-Taylor Perkinson)
Melancholy (Coleridge-Taylor Perkinson)
Night (Florence Price)
Song to the Dark Virgin (Florence Price)
Velvet Shoes (Hale Smith)
Grief (William Grant Still)
A Death Song (Howard Swanson)
I Will Lie Down in Autumn (Howard Swanson)
The Negro Speaks of Rivers (Howard Swanson)
Lament (George Walker)
A Red, Red Rose (George Walker)
Wry Fragments (Olly Wilson)
Dancing in the Sun (John Work, Jr.)
Soliloquy (John Work, Jr.)
Florence Price: Five Art Songs (Dr. Rae Linda Brown, ed.)
Key D Major - d minor
2. Travel's End (Mary Folwell Hoisington)
Key B Major (Low voice)
3. To My Little Son (Julia Johnson Davis)
Key B Major (Medium voice)
4. Fantasy in Purple (Langston Hughes)
Key f minor (Medium voice)
5. Sympathy (Paul Laurence Dunbar)
Key E-flat (Medium-High voice)
plus a transposed higher key, G Major (High voice)
Four Negro Songs
2. The Cryin' Blues
3. Jazz-Boys
4. That Soothin' Song
Genius Child
2. Genius Child
3. Kid in the Park
4. To Be Somebody
5. Troubled Woman
6. Strange Hurt: Long Version
7. Strange Hurt: Short Version
8. Prayer
9. Border Line
10. My People
11. Joy
Only Heaven
Daybreak In Alabama
When Sue Wears Red
Late Last Night
Port Town
Angel Wings
Luck
Delinquent
Dream Variations
In Time Of Silver Rain
Song For A Dark Girl
Drum
Litany
Dream
Night: Four Songs
Demand
Stars
Songs of Our Time
Friend
Little Horse
Spell against Sorrow
The Light Comes on by Itself
Pont Mirabeau
A Poem of Unrest
This Room
If You Can
Aspen Tree
Three Floors
The Crazy Woman
Child
Dreams / Feet o' Jesus