Antônio Carlos Gomes
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About
Antônio Carlos Gomes is heralded as one of Brazil’s most important composers to date. He was the son of a bandmaster and learned to play many instruments from under his tutelage. He started composing at age 15 and wrote his first mass at 18 which was performed in a local church by his family of musicians. He would go on to study at the Imperial Conservatory in Rio de Janiero where he would be introduced to the music of Bellini, Rossini and Verdi. Gomes found international success in 1870 when his opera Il Guarany was produced at La Scala in Milan. He was also the first composer of the New World to be accepted by the European opera scene. Although he is mostly known for his operas, Gomes also composed revue shows, sacred music, hymns, orchestral works and songs.
-Bo Shimmin
This profile was created in 2021 as part of The Savvy Singer, an EXCEL Lab course at the
University of Michigan, School of Music, Theatre, and Dance and a collaboration with the
Hampsong Foundation via the Classic Song Research Initiative.
Related Information
MusicaBrasilis
musicabrasilis.com/composers/carlos-gomesAfrican Diaspora Music Project
africandiasporamusicproject.org/compser/antonio-carlos-gomesSheet Music
An Anthology of African and African Diaspora Songs – 60 Songs
Christmas Lullaby (H. Leslie Adams)
Sence You Went Away (H. Leslie Adams)
The Heart of a Woman (H. Leslie Adams)
The Alarm Clock (David N. Baker)
The Negro Speaks of Rivers (Margaret Bonds)
Caring (Charles Brown)
Desire (Charles Brown)
Your Eyes So Deep (H. T. Burleigh)
Your Lips Are Wine (H. T. Burleigh)
Autumn (Valerie Capers)
Elëanore (Samuel Coleridge-Taylor)
The Willow Song (Samuel Coleridge-Taylor)
Minakesh (Arthur Cunningham)
Stars (Harriette Davison Watkins)
Out in the Fields (William Dawson)
The Refused (Mark Fax)
With Rue My Heart Is Laden (Bruce Forsythe)
Suspiro d’alma (Antônio Carlos Gomes)
If I Can Stop One Heart from Breaking (Adolphus Hailstork)
Longing (Adolphus Hailstork)
Loveliest of Trees (Adolphus Hailstork)
Dormi, Jesu (Jacqueline Hairston)
Gardé Piti Mulet Là (Maud Cuney Hare)
I’ll Not Forget (Jeraldine Herbison)
Little Elegy (Jonathan Holland)
In Time of Silver Rain (Sylvia Hollifield)
The Founding Fathers (Langston Hughes)
This is My Land (Langston Hughes)
L’il Gal (J. Rosamond Johnson)
Soliloquy (Thomas Kerr)
Amazing Grace (Lena McLin)
The Year’s at the Spring (Lena McLin)
I Am in Doubt (Undine Smith Moore)
I Want to Die While You Love Me (Undine Smith Moore)
For a Poet (Andre Myers)
Chere, Mo Lemmé Toi (Camille Nickerson)
Gué, Gué, Solingaie (Camille Nickerson)
Mshila (Fred Onovwerosuoke)
Entreaty (I Am the Rose of Sharon) (Eurydice Osterman)
Could I but Ride Indefinite (Robert Owens)
Die Nacht (Robert Owens)
From the Dark Tower (Robert Owens)
The Lynching (Robert Owens)
The Secret (Robert Owens)
Madrigal (Coleridge-Taylor Perkinson)
O Children of Men (Zenobia Powell Perry)
I Want to Die While You Love Me (Rosephanye Powell)
Spring (Florence Price)
The Sum (Florence Price)
Martin Luther King, Jr. (Dave Ragland)
Mangez, Boulez (Eat, Drink, Be Merry) (Nadine Shanti)
Prayer (Carlos Simon)
Troubled Woman (Hale Smith)
Why Fades a Dream? (Irene Britton Smith)
Dream Variations (Brandon Spencer)
Spring Song (Hilbert Stewart)
One Day (Howard Swanson)
I Went to Heaven (George Walker)
Norris Swamp (Aurelia Young)