b. 1908d. 2004

Zenobia Powell Perry


Zenobia Powell Perry
Zenobia Powell Perry's prolific song compositions include musical settings of Paul Laurence Dunbar, Claude McKay, Frank Horne, James Weldon Johnson, as well as Spiritual and religious settings and songs setting her own texts.

Audio

“O Children of Men” (from “Hidden Words”)
Ann Marie McPhail, soprano; Gwynne Kuhner Brown, piano3:09

Zenobia Powell Perry

Composer

Baháʼu'lláh

Poet(s)/Writer(s)

2022

Date

Irvine, California

Location

This recording was part of a 3pm concert ("Soul & Reconciliation") on Friday, October 14, 2022 during the 25th Anniversary African American Art Song Alliance Conference. The concert venue was Winifred Smith Hall at the University of California, Irvine.

“O Children of Men” (from “Hidden Words”)
Christine Amon, mezzo-soprano; Sara Chiesa, piano2:36

Zenobia Powell Perry

Composer

Baha'u'llah

Poet(s)/Writer(s)

2021

Date

Ann Arbor, Michigan

Location

This recording was made possible by a grant from the University of Michigan, as part of the "Black Composer Speaks" Project.

“Spring Song” (from “Cycle of Songs on Poems of Paul Laurence Dunbar”)
Minnita Daniel Cox and Marcía Porter, sopranos, Alexis Davis-Hazell, mezzo-soprano and Rosalyn Wright Floyd, piano1:59

Zenobia Powell Perry, arranged by Khyle Wooten

Composer

Paul Laurence Dunbar

Poet(s)/Writer(s)

2022

Date

University of California, Irvine, Winifred Smith Hall

Location

This recording was part of a 8pm concert ("My Sister’s Keeper") on Friday, October 14, 2022 during the 25th Anniversary African American Art Song Alliance Conference. The concert venue was Winifred Smith Hall at the University of California, Irvine.

About

Zenobia Powell Perry was born in 1908 to a well-educated, middle-class family in Oklahoma. Her father was a Black physician, and her mother was Creek Indian and Black. In 1925, Perry graduated from high school determined to study music, so she began her studies at Cecil Berryman Conservatory in 1929, and eventually went to the Tuskegee Institute where she also studied education.

After Tuskegee, Perry became part of a Black teacher training program headed by Eleanor Roosevelt. Perry’s first university faculty position was at Arkansas Agricultural, Mechanical & Normal College, later called University of Arkansas at Pine Bluff (UAPB), from 1947 to 1955. From 1952 to 1954, Perry completed her master’s degree in composition at Wyoming University where she studied under Allan Arthur Willman, Darius Milhaud, and Charles Jones. 

Perry began to compose more seriously during her time at Wyoming University in the early 1950s. Her output included a wide variety of vocal, choral, instrumental, and piano works. She drew influence from spirituals, which she grew up listening to her grandfathera formerly enslaved mansing. Black and Native American folklore, poetry, and music also informed her compositions, with her overall style incorporating a combination of contrapuntal, tonal, jazz, and folk techniques. 

Perry’s all-Black hometown of Boley, Oklahoma was a source of compositional inspiration throughout her lifetime. She often composed works influenced by her environment, such as her her 1987 opera Tawawa House, whose plot was based on the history of the Underground Railroad in Wilberforce, Ohio—the town she lived in from 1955 until 1982 as a faculty member and composer-in-residence at Central State University.

Despite two divorces, the death of a son, and the challenges of raising a daughter on her own, Perry continued working towards advanced degrees while also working as a professor. In 1962, she joined the NAACP to aid in the civil rights struggle. Perry received numerous honors and awards, particularly after her retirement in 1982, related to her teaching, composing, and volunteer community work. 

Perry’s works continue to be performed today by a devoted group of musiciansmany of them her former studentsas well as those who have only recently discovered her works. Perry’s compositions have also been performed by the Cleveland Chamber Symphony, the Detroit Symphony, and West Virginia University Band and Orchestra.

As of 2023, only one of Perry’s works has been published, though her significant contributions to American music are increasingly referenced in recent scholarship. Zenobia Powell Perry died in 2004 at the age of 95, leaving behind a rich legacy. 

–Amy Catherine Helms, Sophia Janevic

This biography was created in 2022 as part of The Savvy Singer, an EXCEL Lab course at the University of Michigan, School of Music, Theatre, and Dance and a collaboration with the Hampsong Foundation via the Classic Song Research Initiative.

This biography was edited in 2023 as part of the Song of America Fellowship Program, a project of the Classic Song Research Initiative between the Hampsong Foundation and the University of Michigan, School of Music, Theatre, and Dance.

Video

Records

2022

Soul and Reconciliation

Maria Thompson Corley, Jonathan Bailey Holland, James Lee III, Zenobia Powell Perry, Rosephanye Powell, Dave Ragland, Richard Thompson

Books

American Composer Zenobia Powell Perry: Race and Gender in the 20th Century

Zenobia Powell Perry

Sheet Music