Zenobia Powell Perry


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About
Zenobia Powell Perry was born in 1908 to a well-educated, middle-class family in Oklahoma. Her father was a Black physician, and her mother was Creek Indian and Black. In 1925, Perry graduated from high school determined to study music, so she began her studies at Cecil Berryman Conservatory in 1929, and eventually went to the Tuskegee Institute where she also studied education.
After Tuskegee, Perry became part of a Black teacher training program headed by Eleanor Roosevelt. Perry’s first university faculty position was at Arkansas Agricultural, Mechanical & Normal College, later called University of Arkansas at Pine Bluff (UAPB), from 1947 to 1955. From 1952 to 1954, Perry completed her master’s degree in composition at Wyoming University where she studied under Allan Arthur Willman, Darius Milhaud, and Charles Jones.
Perry began to compose more seriously during her time at Wyoming University in the early 1950s. Her output included a wide variety of vocal, choral, instrumental, and piano works. She drew influence from spirituals, which she grew up listening to her grandfather—a formerly enslaved man—sing. Black and Native American folklore, poetry, and music also informed her compositions, with her overall style incorporating a combination of contrapuntal, tonal, jazz, and folk techniques.
Perry’s all-Black hometown of Boley, Oklahoma was a source of compositional inspiration throughout her lifetime. She often composed works influenced by her environment, such as her her 1987 opera Tawawa House, whose plot was based on the history of the Underground Railroad in Wilberforce, Ohio—the town she lived in from 1955 until 1982 as a faculty member and composer-in-residence at Central State University.
Despite two divorces, the death of a son, and the challenges of raising a daughter on her own, Perry continued working towards advanced degrees while also working as a professor. In 1962, she joined the NAACP to aid in the civil rights struggle. Perry received numerous honors and awards, particularly after her retirement in 1982, related to her teaching, composing, and volunteer community work.
Perry’s works continue to be performed today by a devoted group of musicians—many of them her former students—as well as those who have only recently discovered her works. Perry’s compositions have also been performed by the Cleveland Chamber Symphony, the Detroit Symphony, and West Virginia University Band and Orchestra.
As of 2023, only one of Perry’s works has been published, though her significant contributions to American music are increasingly referenced in recent scholarship. Zenobia Powell Perry died in 2004 at the age of 95, leaving behind a rich legacy.
–Amy Catherine Helms, Sophia Janevic
This biography was created in 2022 as part of The Savvy Singer, an EXCEL Lab course at the University of Michigan, School of Music, Theatre, and Dance and a collaboration with the Hampsong Foundation via the Classic Song Research Initiative.
This biography was edited in 2023 as part of the Song of America Fellowship Program, a project of the Classic Song Research Initiative between the Hampsong Foundation and the University of Michigan, School of Music, Theatre, and Dance.
Related Information
Zenobia Powell Perry
zenobiapowellperry.orgAfrican Diaspora Music Project
africandiasporamusicproject.org/compser/zenobia-perryAfrican American Art Song Alliance
darryltaylor.com/alliance/composers/zenobia-powell-perryInternational Alliance for Women in Music Journal (2003)
iawm.org/stef/articles_html/pool_zp_perry.htmlJaygayle Music
jaygaylemusic.comSongs
Video
Records



2022
Soul and Reconciliation
Maria Thompson Corley, Jonathan Bailey Holland, James Lee III, Zenobia Powell Perry, Rosephanye Powell, Dave Ragland, Richard Thompson
Books

American Composer Zenobia Powell Perry: Race and Gender in the 20th Century
Zenobia Powell Perry
Sheet Music
An Anthology of African and African Diaspora Songs – 60 Songs
Christmas Lullaby (H. Leslie Adams)
Sence You Went Away (H. Leslie Adams)
The Heart of a Woman (H. Leslie Adams)
The Alarm Clock (David N. Baker)
The Negro Speaks of Rivers (Margaret Bonds)
Caring (Charles Brown)
Desire (Charles Brown)
Your Eyes So Deep (H. T. Burleigh)
Your Lips Are Wine (H. T. Burleigh)
Autumn (Valerie Capers)
Elëanore (Samuel Coleridge-Taylor)
The Willow Song (Samuel Coleridge-Taylor)
Minakesh (Arthur Cunningham)
Stars (Harriette Davison Watkins)
Out in the Fields (William Dawson)
The Refused (Mark Fax)
With Rue My Heart Is Laden (Bruce Forsythe)
Suspiro d’alma (Antônio Carlos Gomes)
If I Can Stop One Heart from Breaking (Adolphus Hailstork)
Longing (Adolphus Hailstork)
Loveliest of Trees (Adolphus Hailstork)
Dormi, Jesu (Jacqueline Hairston)
Gardé Piti Mulet Là (Maud Cuney Hare)
I’ll Not Forget (Jeraldine Herbison)
Little Elegy (Jonathan Holland)
In Time of Silver Rain (Sylvia Hollifield)
The Founding Fathers (Langston Hughes)
This is My Land (Langston Hughes)
L’il Gal (J. Rosamond Johnson)
Soliloquy (Thomas Kerr)
Amazing Grace (Lena McLin)
The Year’s at the Spring (Lena McLin)
I Am in Doubt (Undine Smith Moore)
I Want to Die While You Love Me (Undine Smith Moore)
For a Poet (Andre Myers)
Chere, Mo Lemmé Toi (Camille Nickerson)
Gué, Gué, Solingaie (Camille Nickerson)
Mshila (Fred Onovwerosuoke)
Entreaty (I Am the Rose of Sharon) (Eurydice Osterman)
Could I but Ride Indefinite (Robert Owens)
Die Nacht (Robert Owens)
From the Dark Tower (Robert Owens)
The Lynching (Robert Owens)
The Secret (Robert Owens)
Madrigal (Coleridge-Taylor Perkinson)
O Children of Men (Zenobia Powell Perry)
I Want to Die While You Love Me (Rosephanye Powell)
Spring (Florence Price)
The Sum (Florence Price)
Martin Luther King, Jr. (Dave Ragland)
Mangez, Boulez (Eat, Drink, Be Merry) (Nadine Shanti)
Prayer (Carlos Simon)
Troubled Woman (Hale Smith)
Why Fades a Dream? (Irene Britton Smith)
Dream Variations (Brandon Spencer)
Spring Song (Hilbert Stewart)
One Day (Howard Swanson)
I Went to Heaven (George Walker)
Norris Swamp (Aurelia Young)
Art Songs and Spirituals by African-American Women Composers (Vivian Taylor, ed.)
Come Down Angels (Spiritual) (1978) - Undine Smith Moore
Dry Bones (Spiritual) (1946) - Margaret Bonds
Free At Last (Spiritual) (1951) - Julia Perry
He's Got the Whole World In His Hand (Spiritual) (1963) - Margaret Bonds
I Am in Doubt (1975) - Undine Smith Moore
I'm a Poor Li'l Orphan in This Worl' (Spiritual) (1952) - Julia Perry
In the Springtime (1976) - Betty Jackson King
Is There Anybody Here That Loves My Jesus (Spiritual) (1981) - Undine Smith Moore
It's Me, O Lord (Spiritual) (1988) - Betty Jackson King
Lord, I Just Can't Keep from Cryin' (Spiritual) (1946) - Margaret Bonds
Love Let the Wind Cry… How I Adore Thee (1977) - Undine Smith Moore
My Dream (1935) - Florence B. Price
My Soul's Been Anchored in the Lord (Spiritual) (1937) - Florence B. Price
Night (1946) - Florence B. Price
Song to the Dark Virgin (1926) - Florence B. Price
The Negro Speaks of Rivers (1942) - Margaret Bonds
Three Dream Portraits (1959) - Margaret Bonds
Watch and Pray (Spiritual) (1972) - Undine Smith Moore