b. 1929d. 2022

George Crumb


George Crumb
George Crumb was known for his experimental use of timbres and stunning manuscript scores. Many of his vocal works explore the rhetoric of American music, especially Apparition, which sets poems of Walt Whitman for voice and piano, as well as his American songbooks, which reimagine traditional American songs with a plethora of percussion instruments. Crumb had also set the poetry of Edgar Allan Poe ("The Sleeper" for mezzo soprano and piano) and Sara Teasdale (3 Early Songs). Crumb also loved the poetry of Lorca, and many of his vocal works set Lorca’s texts. Photo: George Crumb, Photo by Sabine Matthes, from the C. F. Peters Corporation, 2007

Audio

“Black, Black, Black is the Color” (from “Unto the Hills: American Songbook III”)
Thomas Hampson (baritone) & members of the Chamber Music Society of Lincoln Center5:07

George Crumb

Composer

Traditional

Poet(s)/Writer(s)

2011

Date

Alice Tully Hall

Location

“Hallelujah, I’m a Bum!” (from “Voices From a Forgotten World: American Songbook V”)
Thomas Hampson & members of the Chamber Music Society of Lincoln Center2:33

George Crumb

Composer

Traditional

Poet(s)/Writer(s)

2011

Date

Alice Tully Hall

Location

“Joshua Fit de Battle ob Jerico” (from “A Journey Beyond Time: American Songbook II”)
Thomas Hampson & members of the Chamber Music Society of Lincoln Center3:38

George Crumb

Composer

Traditional

Poet(s)/Writer(s)

2011

Date

Alice Tully Hall

Location

“Shall We Gather At the River?” (from “The River of Life: American Songbook I”)
Thomas Hampson & members of the Chamber Music Society of Lincoln Center9:18

George Crumb

Composer

Robert Lowry

Poet(s)/Writer(s)

2011

Date

Alice Tully Hall

Location

“Sit Down, Sister” (from “A Journey Beyond Time: American Songbook II”)
Thomas Hampson (baritone) & members of the Chamber Music Society of Lincoln Center1:53

George Crumb

Composer

Traditional

Poet(s)/Writer(s)

2011

Date

Alice Tully Hall

Location

“Sometimes I Feel Like a Motherless Child” (from “A Journey Beyond Time: American Songbook II”)
Thomas Hampson & members of the Chamber Music Society of Lincoln Center6:45

George Crumb

Composer

Traditional

Poet(s)/Writer(s)

2011

Date

Alice Tully Hall

Location

“When Johnny Comes Marching Home” (from “Winds of Destiny: American Songbook IV”)
Thomas Hampson (baritone) & member of the Chamber Music Society of Lincoln Center9:54

George Crumb

Composer

Patrick Sarsfield Gilmore

Poet(s)/Writer(s)

2011

Date

Alice Tully Hall

Location

About

Born in Charleston, West Virginia, George Crumb studied at institutions throughout the United States (as well as Berlin), finishing his doctorate at the University of Michigan. His first teaching job was at the University of Colorado, Boulder, where his compositions began to garner attention, especially Night Music I (1963, for soprano, piano/celesta, and two percussionists).

Crumb took a teaching position at the University of Pennsylvania in 1965 and remained there for 30 years. Crumb was very prolific during his time at Penn, setting the poetry of Federico Garcia Lorca more often than any other poet. However, American poetry was also at the heart of his vocal works, such as Apparition (1979, Walt Whitman text) and The Sleeper (1984, Edgar Allan Poe text).

While Crumb’s music is certainly experimental, his delicate use of timbre and echoing of American (and especially West Virginian) traditions makes it accessible to a wide audience. Towards the end of his life, Crumb explored American folk traditions more overtly in his music, with his American Songbooks. The American Songbooks set dozens of American folk and traditional songs using Crumb’s unique approach to sound and instrumentation.

–Christie Finn

Records

2015

Complete Crumb Edition, Vol. 17

George Crumb

Sheet Music